Free is the New Black
Categories: distractions, heart, stuff I like
Written By: Jeff
Why does everything feel like it should be free in the new technology age? Even people who are otherwise pretty honest and hard-working often don’t have issues snagging some free, ill-gotten wi-fi or ripping a friend’s cd.
I’ve seen recently, on a mainstream website, detailed instructions for hacking my local soda machine for free beverages. In fact, Fox News conducted an interview with the editor of a published magazine who gave tips for slacking on the job without getting caught by your boss. However, I want to focus on digital media for now.
It probably could be said that Napster (or was it Xerox?) started the whole thing, but I’m thinking of a more recent example from earlier this month. In case you didn’t hear, there was a revolt, more or less, at digg.com where users, despite the site’s best efforts, posted code that would enable you or I to make perfect copies of DVD-HD or Blueray discs. Of course, you’d have to know where to even use that code, but it’s beside the point. The fascinating thing to me was how it went from being an issue of theft to an issue of free speech, overnight.
Is it the anonymity that normalizes theft? Or is our culture just decaying? Or is it the digital medium? I think digital somehow translates into value-less. When you have a digital file that can be shared without being depleted, it seems like it shouldn’t cost something. E.g., if I have a pencil and I give it to you, I don’t have the pencil anymore. However, I can give you a perfect copy of a number of digital items I have paid money for and it doesn’t cost me a cent. Conversely, and perhaps more importantly, I can take/rent/borrow something from you and keep it for myself AND give you back what you loaned to me. No harm, no foul.
I guess I’m thinking about this since I just released an album in an all-digital format. My physical discs are coming, but those little files are really worth a lot to me right now since they are all I have to show for my years of work on that project.
There are people who will argue that peer to peer distribution actually helps an artist gain recognition and I don’t completely disagree. After all, Weird Al Yankovic is at the peak of his polka and parody career thanks to new inovations like myspace and youtube.
I will still argue in the end, though, that a lot of people aren’t interested in paying a fair price.
I don’t know why, but we would much rather take something for free when we can, than support the thing we like and enjoy. And we wouldn’t do it with a candy bar at the store or even when we see a wallet on the ground in a Wal-mart parking lot. But when it comes to digital property, what’s yours is mine.






May 19th, 2007 at 4:01 pm
I’ve been on both sides of the copyright equation (content producer
& consumer) and I have to say I’m slowly but surely finding myself
more and more aligned with the view that the copyright system has
nearly outlived its usefulness.
One of the most important words in your post is value.
How do we assign
value to digital media? Why is one specific combination of ones and
zeroes more valuable than another? Clearly there is value in the work
that went into creating the content. There is also value in the
enjoyment that consumers receive from experiencing the content.
However, now that the cost of reproducing information is nearly zero,
the “value” of a copy is also nearly zero. The notion of copyright only
works effectively when the cost
of copying is just high enough to create scarcity, but not so high as
to make a controlled-quantity production unprofitable — a very
delicate balance that we have
maintained for only a few centuries,
until technology caught up with itself. It was technology (the printing
press) that first paved the way for copyright to be a useful tool. It
was a house of cards from the beginning, though, and the ultimate
collapse is inevitable.
The connection between the value of the creative work and copies of the
work is artificial at best. Music
wants to be free, and more generally, information
wants to be free. An author/artist “gives life” to a work, and it
takes on a life of its own, complete with a kind of “free will”.
Some sort of alternative
compensation system is needed. I’m not sure that I’m ready to let
the government decide how much we pay for music and how much goes to
each artist, but it’s becoming pretty clear that the current system is
falling apart. Before there was copyright, there was patronage,
a system that served the arts very well. Technology fueled both the
rise and fall of copyright; if properly applied, technology could make
possible a revival of patronage, even more successful than its
historical forms. It wouldn’t be perfect, but it would be a start.
May 26th, 2007 at 11:51 pm
Jon,
Your post is rich and has caused me to think a little more about this. I need to explore your links some more. Thanks for taking time to post this. Somehow it ended up in my spam folder so I just found it today.
Jeff